"It wasn't a normal city when I was here," Lynch recalled. Lynch lived across the street from the city morgue, which he even visited one evening at midnight. (He is) a painterly filmmaker."įor the 20-something art student in the late '60s, Philadelphia and its "vivid images" established an enduring foundation for his multifaceted talent. Similarly, in a telephone conversation, Kenneth Kaleta, author of a monograph on David Lynch published in 1993 and professor of film history at Rowan University, concurs that "it is impossible to deny his debt to painting. Nonetheless, the curator wrote: "Painting is the activity in his creative life from which everything else flows." With the show's accompanying catalog and its scholarly essay by Cozzolino, Lynch is now receiving serious attention as a studio artist, something that has been overshadowed by his successful film career. Maybe the age I was when I was here and things I experienced, no place has influenced me as much as Philadelphia. "Great students were here, and everybody was a worker,'' he reminisced. On the other hand, Lynch acknowledged: "I got into film by accident in this very building." Last month at a press conference at the Academy, Lynch candidly admitted: "I get something from painting that I don't get from any other medium." 11, it is the artist's "first major museum show in the United States." On view at the Academy's Landmark Building until Jan. "David Lynch: The Unified Field" is an exhibition of 90 paintings, drawings, prints, mixed-media constructions and three short experimental films. Yes, this is the David Lynch of "Eraserhead" (1977), "Elephant Man" (1980), "Blue Velvet" (1986), "Wild at Heart" (1990), "Mulholland Drive" (2001), and "Twin Peaks" (1990-91), the popular television murder mystery series that after 25 years will return in 2016 for nine new episodes on Showtime. Though Lynch only enrolled for three semesters, the Academy has reconnected with its celebrated student. "I never had what I consider an original idea until I was in Philadelphia," David Lynch, 68, told Robert Cozzolino, senior curator and curator of modern art at the Pennsylvania Academy of the Fine Arts.
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